Oct. 14th, 2003

The Spell of the Black Dagger

With the cover blurb focused on Tabaea, and the first two chapters centered on her, it isn't that surprising that the reader is confused when the heroine turns out to be the apparently boring but decidedly willful Sarai. Tabaea is the underdog, trying to come out on top of the world, but she lacks the character and knowledge to do it well. You know what they say about the road paved with good intentions...

Sarai, the daughter of the Minister of Justice (and therefore a member of the privileged class), spends a lot of time in detective work (for which she is naturally talented), trying to uncover what the reader already knows, which makes the reader desperately wish to just pop into the story for a moment and TELL her. When she finally gets the information she needs and makes her move, the story really gets rolling. In fact, it's almost too fast to follow.

There's a hiccup in the narrative when he replays a scene from Sarai's perspective immediately after showing it from Tabaea's, but otherwise, the plot races toward the finish. Tabaea's grisly demise is sad only because she flips back to her pseudo-noble mode in an attempt to prove her right to rule by eliminating the Seething Death that threatens not only the palace, but ultimately the entire world. She was misguided in her attempt, but the ending rather glosses over the supremely lazy and selfish methods she used to get to that point.

Basically, there was too much focus on the thief; we were in her head more than Sarai's, so we felt more for her. Add to that our almost-universal love for the underdog, and you can't help but feel disappointed with the ending, even if you knew it was the right way to end. He should have allowed the audience to remain in the dark about Tabaea along with Sarai, and get into HER head, from HER point of view instead. That would have eliminated both the divided loyalty of the reader, and the stalling of the plot while we wait for Sarai to figure out what we already know.

Nevertheless, if you like Watt-Evans' books, you'll still enjoy the action. If you've never read one of his books, I'd suggest starting with The Mis-Enchanted Sword: it's action and comedy in one.
George Lucas in Love (1999) ~ Martin Hynes

The first time I saw this was at college. I and the other four grad students in my department were working on special effects homework, and one of the guys downloaded this parody off the internet in three pieces. We were practically rolling on the floor (and very much relieved that there were no faculty or undergrads in the building at the time) and when I saw this on DVD, I had to have it.

I hated Shakespeare in Love, but I've liked Star Wars for a long time; this parody of the two is absolutely side-splitting. These guys packed so many Star Wars references into each scene! The plot follows the Shakespeare in Love idea, in that he's trying to write a script, meets a girl, falls in love, becomes inspired, finishes script. Success! Along the way we see recreations of all the major characters in the original trilogy. Make a game of trying to spot all the Star Wars (and Lucas' college days) references.

I don't want to spoil the ending if you haven't seen it, because that was the biggest laugh of all, but I seriously think Lucas could benefit from bringing these guys into his prequel productions.

The special features are great; be sure to watch their discussion/commentary on how they put this together...you won't believe your ears.

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Chrystalline

October 2019

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